This is a review of the Sigma 70-200 2.8 OS HSM Sports lens. I decided to put it against the Canon 70-200 2.8 IS III to see which did better in the real world. I took both lenses out to a college basketball game along with two different Canon bodies. I used the Canon EOS R with EF adapter and the Canon 6D MARK II. Image shows the Expo.comp./AEB setting location on my Canon 6D Mark II. Single-Frame Advance vs Continuous Advance. You can take AEB images on Canon cameras using either single-frame advance or continuous advance drive modes. Single-frame advance is the standard way to operate a camera and is most likely the mode your camera is in now. Every Scroll down to the Camera Calibration sub-module. Pick the same color profile as what you have set in your camera (for example, Camera Standard). On the left panel, scroll down to the “Presets” sub-module and press the “+” sign next to it, which is used for creating a new preset. A new window will pop-up. On the EOS-1 series cameras, the serial number will appear as a multi-digit white sequenced number engraved in the frame around the label on the camera's bottom. Image distortion due to lens characteristics can be corrected. If [Enable] is set, the corrected image will be displayed. The image periphery will be trimmed in the corrected image. Since the image resolution may look slightly lower, adjust the sharpness with the Picture Style’s sharpness parameter setting as necessary. Digital Lens Optimizer () For Canon 5D Mark II: in LiveView, with movie recording enabled AND LiveView display set to Movie. Tip: you can change LiveView display type from Expo menu. For Canon 50D: in LiveView, with movie recording enabled from ML menu. I have never owned a fix lens before and have read a lot about it high sharpness, so I decided to buy one. Yesterday I’ve got my new 50mm 1.8 STM lens and I was a little disappointed in it. I have used Canon EF 24-105mm F4 USM to compare it to Canon EF 50mm F1.8 STM on my Canon 5D mark II body and I figured out that 1.8 lens is less sharper Monochrome selected on a Canon 5D Mark II. Sharpness selected for adjustment in the Monochrome in-camera setting on a Canon 5D Mark II. Making Adjustments to Your Black and White Settings. Experiment with the finer details of your black and white settings. You’ll learn about the effects they create. The best way to check its sharpness wide open is to shoot something static with lots of details in decent light or on tripod. This way you can check focus accuracy and overall sharpness. Canon 6d + EF 50/1.4 USM at f/1.4 The Canon EF 70-300mm f/4-5.6 IS II USM is a very appealing compact and lightweight telephoto zoom for both full-frame and APS-C format DSLRs, on the latter giving a supersized ‘effective’ zoom range of 112-480mm. It also works well as a lightweight option on EOS R-series mirrorless cameras via an EF-EOS R mount adapter. c2KT.